1920 безплатни аудиофайлове за "Frequency Modulation Synthesizer"

Simplest type of metric modulation in Bach. Slow introduction followed by Allegro, traditionally taken twice as fast. Eighth notes in the new tempo prepared by sixteenth notes in the old tempo ( = ).

Modulation von Heinrich Schütz aus SWV 379

Sequential modulation through the circle of fifths in Haydn, Quartet Op. 3, No. 3, IV, Hob.III:15 (now considered spurious, perhaps by Roman Hoffstetter).

Sequential modulation in Beethoven, Sonata, op. 53, movement I

A sample made by myself (Paul Nasca) using ZynAddSubFX and Praat that will be used to show the RingModulation effect. This is the a sample ring-modulated by a sound of 2500 Hz.

Common chord modulation in Mozart, Sonata in D Major, K. 284, III, m. 1-8.

Phrase modulation in Mozart's Sonata in A Major, K.331, III (Alla turca), mm.6-10.

Chromatic modulation in Bach's Du grosser Schmerzensmann, BWV 300, m. 5-6 transitions from FM to dm through the inflection of C♮ to C♯ between the second and third chords. Note that there is no common chord.

Chopin's Prelude in C minor modulates within the first three measures.

Common-tone modulation between chromatic mediants in Mozart's K. 475, mm. 24-26.

Common-chord modulation in Tchaikovsky, Mazurka Op. 39, No. 10.

Chromatic modulation in Bach's Du grosser Schmerzensmann, BWV 300, m. 5-6 transitions from FM to dm through the inflection of C to C between the second and third chords. Note that there is no common chord.

Modulations from C major to C sharp major in natural temperatures (just intonation) end at almost the same pitch although there should be a half-tone difference.

Sequential modulation in Schubert, Piano Sonata in E Major, D. 459, movement III.

Common-tone modulation between C minor and its relative major Eb, using the common-tone G, in Schubert's Op. 163 (D. 956).

Example of modulation to the dominant from vocal music (1836).

A 1500 Hz tone broadcast by WWV, the radio station of the United States National Institute of Standards and Technology.

Schubert - op.9 D.365, mm.17-24. Modulation using German sixth in new key, enharmonic to dominant seventh in old key.

Diminished seventh chord's use in modulation.

The A440 (A above middle C) tone, which is used as a general tuning standard for musical pitch. It is also broadcast by WWV, the radio station of the National Institute of Standards and Technology.

Schubert - op. 29, D.804, I, mm.144-49. Enharmonic modulation using a common viio7, enharmonic in two keys.

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Modulation with subsidiary chord (in blue). Created by Hyacinth (talk) 02:10, 15 November 2011 (UTC) using Sibelius 5.

A composite waveform shaped like a teardrop

Sample organ riff with Audacity “Large Room” reverb

Sample organ riff with Audacity “Small Room Dark” reverb

Sample organ riff with Audacity “Cathedral” reverb

Title pulsating synth-humming Artist stephan Original mp3 data Length:0:42 minutes (814.84 KB) Format:MP3 Stereo 44kHz 160Kbps (CBR) User tags abstract, Wave Type Synthesized, Experiment PDSounds record number 333 Comment Sound experiment. Abstract wave pattern. For background fills in audio-visual media. Oscillating, vibrating, pulsating hum, humming.

Sample organ riff with Echo effect

Sample organ riff with “dead” acoustics (no reverb or echo)

50 Hz hum of an AC power system

Hum of an 400Hz electrical power system

Title melody - vibrating synth pad Artist stephan Original mp3 data Length:0:11 minutes (215.86 KB) Format:MP3 Stereo 44kHz 160Kbps (CBR) User tags Pad, swaying, vibrating Type Synthesized PDSounds record number 336 Comment Short melody of a swaying vibrating synth pad.

Hum of an 60Hz electrical power system

alien frequencies preset #01 from spherator fm synthesizer vst vst3 audio unit frequency modulation synthesis (windows / mac).

Reverberation effect made by Nasca Paul with ZynAddSubFX software synthesizer. A short sample is followed by different samples with reverberation effect.

Modulation to the dominant in Haydn's Symphony in C Major, No. 97, Movement III Menuetto, measures 0-8 (piano reduction). Compiled from Murphy, Melcher, and Warch (1973). Music for Study, p.115. ISBN 0-13-607515-0; August Horn's piano reduction; and Howard Chandler Robbins Landon's full score edition. Roman numeral analysis added.

Title: Roland MC-202 Creator: Sven Buresch for Wikipedia Description: small looped example using the built in sequencer, filter and controls; no additional effects. Another MC-202 example can be found here. Copyright dispute? Re: MC202 audio exampes Hi. http://en.wikipedia.org/wiki/Image:Mc202example.ogg and http://en.wikipedia.org/wiki/Image:Discobotter.ogg both were written, performed and recorded by myself. I am the copyright owner and I chose to have it PD for Wikipedia as there were no listening examples. If you doubt we can make music at all check out our myspace: [1] - another tune with a 202 on it or go to [2] - loads of noise with 202,303,404's and so on ;)) Hope this helps. Cheers, Sven. --audioschotter.net 13:37, 31 May 2007 (UTC)

Robotic voice effect using a en:vocoder. This effect is often found in film and television productions. For the technically minded, the voice is modulating a 110Hz en:sawtooth wave, which is the note A two octaves below en:A440. There is also some en:reverberation and phasing added. Note on playing this audio clip This audio clip is an en:Ogg Vorbis file. For a list of compatible media players, see the article at [1].

Kurze Demo des Farfisa Syntorchestra

An example of a classic analog synthesizer sound. Four sawtooth bass filter sweeps with gradually increasing resonance.

Title: en:Roland MC-202 Creator: Sven Buresch for Wikipedia Description: simple song arrangement using en:Roland's en:MC-202 for the filter hookline, en:SH-101 for the bass and en:TR-808 for drums; no additional effects. Sequencing was done with en:Steinberg en:Cubase SX 2.2; MC-202 and SH-101 had been connected via Harms en:MIDI/CV-Interface, en:TR-808 (Kenton MIDI modified) via Steinberg Midex8. Copyright dispute? Re: MC202 audio exampes Hi. http://en.wikipedia.org/wiki/Image:Mc202example.ogg and http://en.wikipedia.org/wiki/Image:Discobotter.ogg both were written, performed and recorded by myself. I am the copyright owner and I chose to have it PD for Wikipedia as there were no listening examples. If you doubt we can make music at all check out our myspace: [1] - another tune with a 202 on it or go to [2] - loads of noise with 202,303,404's and so on ;)) Hope this helps. Cheers, Sven. --audioschotter.net 13:38, 31 May 2007 (UTC)

I made this sound sample in Fruity Loops 7 using the Fruity Granulizer to show off some of its capabilities as well as demonstrate Granular synthesis technology.

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MSX SCC sound Demosong(8 bar) blueMSX + MuSICA 日本語: SCCサウンドの8小節のサンプル演奏。blueMSX + MuSICA

PSG sound demo(blueMSX + MuSICA) delay and detune was used ch.1 and ch.2

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This audio file is a stem (single track) from the full song "Synth pop with 4 on the floor" by Mesostic. It was provided to allow for remixing, reproduction, and extension of the original. Synth pop with 4 on the floor This stem is the Delay send track

This audio file is a stem (single track) from the full song "Synth pop with 4 on the floor" by Mesostic. It was provided to allow for remixing, reproduction, and extension of the original. Synth pop with 4 on the floor This stem is the synth lead, created with the free U-He Tyrell N6 soft synth.

This audio file is a stem (single track) from the full song "Synth pop with 4 on the floor" by Mesostic. It was provided to allow for remixing, reproduction, and extension of the original. Synth pop with 4 on the floor This track is the stepped pad, was made with the free OB-Xd synth and the Volume stepper applied on stem 7 (Send).